Friday, May 3, 2013

Apostrophes

Today's topic: The apostrophe

This little guy tends to be a bit overworked these days, as in the following sentence: 

All student's must register for the workshop by October 16.

Can you spot the mistake?  The word "students" should not contain an apostrophe. 
Why not?  Let's examine the purpose and proper use of this little tadpole-like punctuation mark.

Apostrophes have two uses:

1.) To indicate ownership/possession, as in:

That is Sarah's car.

That guy ate all the kids' desserts!  (Note: In this sentence, the noun is plural--kids--so the  apostrophe goes after the s.  In the first sentence, "Sarah" is singular, so the apostrophe goes before the s.)

2.) To replace the missing letter or letters in a contraction, as in:

That's my notebook.  (The apostrophe helps us turn the phrase "that is" into the contraction that's.)

Oh no, it's raining.  (The phrase "it is" becomes "it's.")

I should take this opportunity to point out that the ONLY TIME an apostrophe is okay in the word "it's" is when you mean to say "it is."  Never use it like this: "The panda cuddled it's cub."  This is correct: "The panda cuddled its cub."

Apostrophes should not be used to form a plural noun.  

INCORRECT: I love cat's. (Your reader might wonder, "You love Cat's what?  Cat's blue sweater?  Cat's new house?")
CORRECT:  I love cats.

INCORRECT:  All participant's signed a waiver form. 
CORRECT:  All participants signed a waiver form.

INCORRECT:  Could you get us some soda's?
CORRECT:  Could you get us some sodas?

INCORRECT:  I saw twelve patient's today. 
CORRECT:  I saw twelve patients today.

There are (of course) a few little tricky situations in which these rules might not be so clear-cut--for example, how do you indicate possession with a noun that ends in s?  Is it Mr. Jones's car, or Mr. Jones'?  For the answer to that and several more tricky apostrophe questions, click here for "Grammar Girl" Mignon Fogerty's apostrophe tutorial:  http://grammar.quickanddirtytips.com/apostrophe-plural-grammar-rules.aspx

I hope you found this post useful.  Have a great day!

Whitney Kurtz-Ogilvie, MFAW

The Dreaded Semicolon, Pink Plastic Flamingo of the Punctuation World

Today's Topic: The Dreaded Semicolon
Semicolons are a little like pink plastic flamingos.  Nobody really knows what they're for, and they tend to be overused. 

The good news is, there are only a few rules for semicolon usage, and once you learn them, you're fine (unfortunately there are no hard and fast rules governing the use of pink plastic flamingos--you're on your own there).

1.) Use semicolons to separate two phrases that could each stand alone as a complete sentence.

Use semicolons to separate two independent clauses (ICs).  This is a fancy term for a phrase that contains a subject and a verb and could stand alone as a complete sentence. 

Use a semicolon only when the two ICs are closely related, either because the 2nd clause expands upon or restates the first, OR because the 2nd clause is in contrast to the first. 


Examples:
Heart disease is an increasingly common problem for American women; in 2008, heart disease was the leading cause of death for women in the U.S.

Many writing teachers reject the traditional five paragraph essay model, arguing that it is too rigid and discourages analytical thinking; some teachers like the model for its clarity and simplicity.

Use semicolons to separate ICs when the second IC begins with a conjunctive adverb (however, thus, moreover, furthermore, therefore, indeed, nonetheless, meanwhile, etc.) OR a transition (for example, for instance, in fact, in addition, also, in other words, etc.). 


Example:

It is always jarring when summer's balmy temperatures give way to fall's crisp chill; however, I love the gorgeous colors of the turning leaves.
You can also separate ICs with a period, of course, OR with a comma and a coordinating conjunction (and, but, or, so, nor, for). 

Examples:
It is always jarring when summer's balmy temperatures give way to fall's crisp chill, but I love the gorgeous colors of the turning leaves.

Many writing teachers reject the traditional five paragraph essay model, arguing that it is too rigid and discourages analytical thinking.  Some teachers like the five-paragraph model for its clarity and simplicity.

When should you use a semicolon to separate ICs, and when should you use a period, or a comma + a conjunction? 
Well, it's a style choice.  Pay attention to the rhythm of your paragraph.  Semicolons and commas + conjunctions are good for adding variety to a paragraph that's full of short, choppy sentences.  Periods are good when you want to give your reader a moment to pause and let an idea sink in.  Also, periods are most appropriate for two ICs that are not closely related. 

Example: 

It was freezing cold last night.  We ordered pizza. 

2.) Semicolons may be used to separate items in a list, IF one or more of the list items has its own comma. 


Examples:

We bought pansies, which remind Sophie of Mickey Mouse ears; gorgeous deep red mums; and some pumpkins, which we'll carve into jack o' lanterns before Halloween.

Janelle is from Akron, Ohio; Melania is from Jaipur, India; and Rachel is from Honolulu, Hawaii.

For more on the pink plastic flamingos of the punctuation world (such as differences between the semicolon and the colon, and a more comprehensive list of conjunctive adverbs), check out Grammar Girl Mignon  Fogerty's terrific semicolon tutorial here:  http://grammar.quickanddirtytips.com/semicolons.aspx

I hope you've enjoyed this week's writing tip! 

Whitney Kurtz-Ogilvie, MFAW

Using Source Material

Today's topic: Using Sources Effectively

This is a massive topic, and I couldn't possibly cover it all in one post (or even two or three).  This will probably not be my last post on this topic, so why don't we think of it as part I in a series?

First of all, a lot of writers struggle to find the best and most effective ways to incorporate source material.  It's something that takes practice and careful thought, and it goes far deeper than simply picking out a few choice quotations, or a few interesting passages to paraphrase.  Here are a few things to keep in mind when using outside sources:

I.  Let YOUR ideas drive the bus, not those of your source authors.


This is probably the Golden Rule.  It is crucial to ensure that your own assertions and ideas are the primary focus of your paper, and that you are using the source material to support those points, not to make them for you.  Many writers make the mistake of "putting the cart before the horse" in that they let their source material be the driving force of the paper. This is backwards.

So what role should source material play in a well-written paper?  Here are just a few examples of what source material can do:

    *Support your ideas with evidence (e.g., See?  I'm not the only one who believes this.  In   their article "Blah blah blah," Jones and Doe (2012) argued that...)

    *Provide an example to illustrate your idea (particularly effective when you need to express a difficult or complex idea)

    *Help you to develop your idea more thoroughly/add a new dimension to your idea

What you can't and shouldn't do is simply string together a series of quotations or paraphrased/summarized ideas from other sources, intersperse them with a few sentences of your own, and let that stand as your paper.  Why not?  Because that isn't writing; it's like making a quilt in which the squares are your quotes and paraphrases and the stitches are your handful of original sentences (usually tossed in to introduce or link together the source material).  Using sources in this way robs you of the opportunity to really engage with what you've read, and use it to meaningfully enhance your reader's understanding of your topic.  It also almost always results in a boring piece of writing.


What do I mean by "engage with what you've read?"  It means making sure that your source material contributes more than information.  It means making sure to comment on/react to/develop your source material; don't just plunk it down and move on to the next thing.  It means asking questions about what you have read, thinking about its implications--for practice, for further research, etc.  It means addressing the "so what?" question: Why is this important?  Why are you telling us this?  What can we learn from this?  Why do we need to learn it?  What more do we need to know?  What, if anything, might be missing from this information?  It means comparing and contrasting your source material with other source material, and with your own experience and ideas:  How does this author's view compare with the views of other authors I have read?  How does this information jibe with the other things we know about this topic?

It also means getting a "bird's eye view."  For example, this is pretty much the main purpose of a literature review; you gather the most relevant and interesting articles on a particular topic, you read and evaluate them individually, and then you synthesize what you've learned by considering what we can learn from taking ALL these articles into consideration, rather than just reading one or two.  You consider how the conclusions drawn by all these authors relate to one another.  Have you ever seen those amazing pointilist paintings, made up of thousands of tiny dots?  If you look at those paintings up close, you just see dots.  However, if you stand back you see the picture emerge.  That is a good analogy for synthesis.  The individual articles you read for a lit review are like those dots.  The picture you get when you stand back far enough from the canvas is your synthesis, the conclusions you draw from a bird's eye view.

To an extent, this kind of critical thinking is necessary any time you use outside source material.  Remember that each quotation or paraphrased idea you incorporate is only one small piece of the whole puzzle.  It is your job to show readers how all this source material relates to the purpose of your paper, how everything you chose to include helps you to make your point.

This is one good reason to make an outline before you sit down to write.  In an outline, you can make a list
of your main points, the main ideas you want to express.  Then you can decide which quotations or paraphrased ideas from your sources will work best to support, illustrate, or develop those ideas.  You can also build your analysis of your source material, and your transitions from idea to idea, into your outline.  Most importantly, make sure that every section of your outline contains a topic sentence that expresses one of your own original ideas, and that ultimately those topic sentences (and the source material you use to support them) will form the "big picture" of your paper--your purpose statement or thesis, the main point you wish to make.

A good general outline for a paper might look something like this:
  • Introduction: Establishes your topic, establishes that the topic is important, and includes a clear, specific purpose or thesis statement that tells readers what your main points are.
  • Body of paper.  Uses topic sentences and transition sentences to guide readers logically from idea to idea.  Here is an example to show the structure of a well put-together paragraph:
    •  Main idea (topic sentence)
      • Supporting detail #1 (could be a quote from one of your sources that backs up your main idea, could be a paraphrased example from one of the articles you read that illustrates how another nurse implemented an idea like yours, etc.)
        • Your response to/commentary on supporting detail #1--as I said above, it's not enough to simply drop in a quote or example from one of your sources.  You have to then engage with that example, use it to help you develop your idea.  You can do this in a number of ways depending on the specifics of the situation. You might also have a supporting detail #2, and then you'd respond to it as you did with supporting detail #1.  You might even have three supporting details--it just depends on the subject.  There is no hard and fast rule for how much support you need for each point, but one good thing to keep in mind is that controversial or complex ideas often need the most support.
    • Lastly, you'd include a transition sentence to lead us from the idea in this paragraph to the idea you'll express in the next paragraph.  This ensures a smooth and logical flow to your paper.  In an outline you should go paragraph by paragraph (I'm just showing you one paragraph as an example--you would of course have many more).  Once you have completed the body of your paragraph, you need a...
  • Conclusion: Provides a concise review of the paper's main points, and leaves us with something more to ponder.  This is often a good place to pose a few more questions, to look to the future.  Now that we know all this, what should we do about it?  What is the next step?  The conclusion is also a good place to discuss the implications of your subject, to wrap up the "so what?" question I mentioned earlier.
II.  Definitely make sure to back up your claims/assertions/main points with plenty of support, but go easy on the direct quotations.

You absolutely do have to use source material to do this (you'll almost always have to offer an evidence-based discussion).  That doesn't mean you have to use direct quotes, though.  Most writing manuals say to rely more on paraphrase and summary than quotations.  This is true for a couple of reasons, the main reason being that quotations tend to interrupt the flow of a paper.  It's okay to use quotes if you use them sparingly.  Use a quotation if you feel that the original author's wording is particularly elegant or persuasive, or if you just can't manage to paraphrase it successfully. 

III.  Paraphrase appropriately. 

In case you aren't familiar with the term, paraphrasing involves putting another author's idea into your own words.  There is an art to paraphrasing; in fact, I could make an entire post on this topic alone.  For now, since I have limited space, suffice it to say that paraphrasing is NOT simply changing around a few words from your original source.  If you use this method, you will almost certainly be guilty of plagiarism.  Instead, try this method:

1.) MAKE SURE YOU FULLY UNDERSTAND THE PASSAGE YOU PLAN TO PARAPHRASE.  I put that in all caps because, in my experience, this is the #1 reason why writers commit unintentional plagiarism; they try to paraphrase something they don't fully understand.  If you don't have a firm grasp of the idea you're trying to paraphrase, there is simply no way that you will be able to express that idea in your own words.  So. Read the passage carefully.  Read it a few times.  Then put the original source away.  Close the book, close the window on the computer, put the article underneath a notebook where you can't see it.  Now you're ready to move on to step 2.

2.) Talk to yourself.  Now that you've put the original source away where you can't see it, tell yourself what the author was trying to say.  I like to do this out loud, but if you really don't want to talk to yourself, just write it down.  The wording doesn't have to be perfect here; you are just telling yourself what the original author was saying, working it out for yourself to make sure that you understand what you've read. 

3.) Try paraphrasing.  Now that you are absolutely sure you understand the author's idea, try paraphrasing the passage.  Again, DON'T LOOK AT THE ORIGINAL AUTHOR'S WORDING.  If you look, you'll be a hundred times more likely to stick too closely to the wording of the original source.  Express the author's idea in your own words. 

4.) Check yourself.  Now you can look at the original source.  Compare what you've written to the original passage.  First make sure that you have expressed the original author's idea accurately, without missing any nuances of meaning.  Then make sure that your wording isn't too close to the original author's.  If it is, you'll need to repeat steps 2-4.  If you go through this process twice and you still end up sticking too closely to the original text, then you might just want to quote the author directly. 

I hope this has been helpful.  Please feel free to get in touch with any questions.  Happy scribbling! 

Whitney Kurtz-Ogilvie, MFAW
 

Amazing New Resource for People With Dyslexia

Today's topic: New resource for people with dyslexia
 
Revolutionary new "Dyslexie" font:
 
I first heard about this amazing new resource while listening to NPR's The Story.  Christian Boer, who suffers from dyslexia, was studying graphic design at Twente University in the Netherlands when he hit upon the inspiration to create a font for dyslexics. 
 
The font makes simple changes to letters--lengthening the vertical line in the letter "h," slightly tilting the letter "j," putting capital letters and punctuation in boldface, etc.--to prevent them from being rotated or changed into other letters in the dyslexic reader's mind.  The results have been astonishing, according to the NPR story.  People who have struggled their whole lives with reading and writing are suddenly able to work with ease and enjoyment.  The font is surprisingly pleasing to read, not at all strange-looking or difficult for non-dyslexics to process.
 
Fortunately, you can order the Dyslexie font for your own computer.  The price for an individual is $69; the font is also available for purchase by schools, workplaces, and other institutions.  For more information, and to see sample texts in Dyslexie, go to Christian Boer's website:  http://www.studiostudio.nl/en/
 
To read or listen to the NPR story, go here: http://www.thestory.org/stories/2013-04/new-font-old-problem
 
Other Resources:
 
There are many other resources available for people with dyslexia.  A quick Google search brought up a host of websites, including the following, which all look promising:
 
 
 
 
These sites offer information on dyslexia (including how to tell if you or someone you care about may have it), treatment regimens, helpful books and articles on dyslexia, and tips for reading and writing.  The first two sites also offer intriguing perspectives on the positive side of dyslexia--a tendency toward creative, "outside the box" thinking, for example.  Many, many people with dyslexia have become hugely successful, including actors Whoopi Goldberg and Jay Leno; writers Agatha Christie, Terry Goodkind, Fannie Flagg (who wrote one of my favorite books, Fried Green Tomatoes), Octavia Butler and John Irving; filmmaker Steven Spielberg; investment banking giant Charles Schwab; scientists Albert Einstein, Alexander Graham Bell, Thomas Edison, and Nobel Prize winner Dr. Carol Greider; and many more.  Note the bestselling writers on that list!
 
I know this week's post is aimed at a very specific audience, but a surprising number of people struggle with dyslexia, and few things make writing and reading more daunting.  These resources could be life-changing.  If you do not have dyslexia but know someone who does, please feel free to share this email. 
 
I hope you found this week's post helpful.  Happy scribbling!
 
Whitney Kurtz-Ogilvie, MFAW

Thursday, April 25, 2013

Today's topic: Paraphrasing

Proper paraphrasing is crucial if we are to a.) use source material effectively and b.) avoid plagiarism.  However, paraphrasing isn't always easy. 


 
In case you aren't familiar with the term, paraphrasing involves putting another author's idea into your own words.  Remember, you MUST cite your source when you paraphrase.  Even if you aren't using any of the original author's exact words, you are still using his or her ideas.  That means you have to give credit where credit is due.  Many, many students commit unintentional plagiarism because they don't know how to paraphrase properly.  Even when plagiarism is unintentional, it is still a serious matter, so it is critical that every student learn the proper way to paraphrase.

Note that paraphrasing is different from summarizing.  Summary tends to focus only on the "bullet points," the main ideas, and summary tends to be most appropriate for longer sections of text. 

There is an art to paraphrasing; in fact, I have taught a ninety minute workshop on this topic alone.  For now, since I have limited space, suffice it to say that paraphrasing is NOT simply changing around a few words from your original source.  If you use this method, you will almost certainly be guilty of plagiarism.  Instead, think of paraphrasing this way:  In your reading, you've come across an interesting idea, one you'd like to use to help make an important point in your paper.  Think of paraphrasing as expressing that idea in your own words.  See the difference?  You're not thinking of it simply as rewording another author's sentence. Rather, you are expressing another person's idea in your own way.  We do this all the time in conversation, when we tell a friend about a conversation we had with our spouse last week, or when we tell someone about an interesting book or magazine article we read recently. 

Even so, it can be tricky to apply this skill to our writing.  Try this method:
 
1.) MAKE SURE YOU FULLY UNDERSTAND THE PASSAGE YOU PLAN TO PARAPHRASE.  I put that in all caps because, in my experience, this is the #1 reason why writers commit unintentional plagiarism; they try to paraphrase something they don't fully understand.  If you don't have a firm grasp of the idea you're trying to paraphrase, there is simply no way that you will be able to express that idea in your own words.  So. Read the passage carefully.  Read it a few times.  Then put the original source away.  Close the book, close the window on the computer, put the article underneath a notebook where you can't see it.  Now you're ready to move on to step 2.
 
2.) Talk to yourself.  Now that you've put the original source away where you can't see it, tell yourself what the author was trying to say.  I like to do this out loud, but if you really don't want to talk to yourself, just write it down.  The wording doesn't have to be perfect here; you are just telling yourself what the original author was saying, working it out for yourself to make sure that you understand what you've read. 
 
3.) Try paraphrasing.  Now that you are absolutely sure you understand the author's idea, try paraphrasing the passage.  Again, DON'T LOOK AT THE ORIGINAL AUTHOR'S WORDING.  If you look, you'll be a hundred times more likely to stick too closely to the wording of the original source.  Express the author's idea in your own words. 
 
4.) Check yourself.  Now you can look at the original source.  Compare what you've written to the original passage.  First make sure that you have expressed the original author's idea accurately, without missing any nuances of meaning.  Then make sure that your wording isn't too close to the original author's.  If it is, you'll need to repeat steps 2-4.  If you go through this process twice and you still end up sticking too closely to the original text, then you might just want to quote the author directly. 

Examples:  These are from a handout I used in my undergraduate writing classes--examples are from a terrific handout on the University of Texas at Austin's website:  http://uwc.utexas.edu/handouts/paraphrasing

The wrong way to paraphrase #1: Failure to cite source

Original passage: “They desire, for example, virtue without vice, pleasure without pain."  From an essay called "Utilitarianism" by John Stuart Mill, from his 1869 book On Liberty and Other Essays.  The quote is from page 169.

Paraphrase: People want morality just as much as they want happiness.

Explanation: The paraphrase is a concise and accurate summary of the substance of the original quote, but the student did not cite the source of the idea.  Therefore, s/he is guilty of plagiarism.
 
The wrong way to paraphrase #2: Sticking too closely to the original author's wording

Original passage:  “To the young American architects who made the pilgrimage, the most dazzling figure of all was Walter Gropius, founder of the Bauhaus School. Gropius opened the Bauhaus in Weimar, the German capital, in 1919. It was more than a school; it was a commune, a spiritual movement, a radical approach to art in all its forms, and a philosophical center.”  From Tom Wolfe's 1981 book From Bauhaus to Our House, page 10.

Paraphrase: As Tom Wolfe (1981) notes, to young American architects who went to Germany, the most dazzling figure was Walter Gropius, founder of the Bauhaus School. Gropius opened the Bauhaus in the German capital of Weimar in 1919. It was, however, more than a school; it was a commune, a spiritual movement, a philosophical center.

Explanation: The highlighted portions are those that are either very closer or repeated verbatim to the original author's wording. As you can see, this isn't really a paraphrase of Tom Wolfe's idea; it uses the same sentence structure and wording as Wolfe's original paragraph. The author does cite Wolfe at the beginning of the first sentence, but does not use quotation marks or block-quote formatting to indicate that s/he is using Wolfe's actual words. This student is presenting Tom Wolfe's words as his or her own, and is guilty of plagiarism. 

The right way to paraphrase:  The examples below are from a pdf handout from the Writing Center at Northern State University (except for sample paraphrase 4, which is my own): http://www.northern.edu/uc/Documents/avoidplagiarism.pdf

Original passage: “In the past 25 years, there has been considerable scientific interest in studying differences and similarities between the sexes for a number of reasons” (Masters, Johnson, & Kolodny, 1988, p. 544).

Paraphrase: Scientists have been interested in comparing and contrasting males and females for at least 25 years (Masters, Johnson, & Kolodny, 1988).

Explanation:  The paraphrase is properly cited, and reproduces the substance of the original text without sticking too closely to the original authors' wording.

Now let's look at four sample paraphrases of the same passage.  Here is the original text, taken from the earlier Masters, Johnson, and Kolodny book:

In the past 25 years, there has been considerable scientific interest in studying differences and similarities between the sexes for a number of reasons.  First, various beliefs about sex differences in traits, talents, and temperaments have greatly influenced social, political, and economic systems throughout history.  Second, recent trends have threatened age-old distinctions between the sexes.  In 1987, for instance, more than half of American women worked outside the home.  Unisex fashions in hairstyles, clothing, and jewelry are now popular.  Even anatomic status is not fixed in a day when change-of-sex surgery is possible. Third, the Feminist movement has brought increasing attention to areas of sex discrimination and sexism and has demanded sexual equality.

Sample paraphrase 1:

In the past 25 years, scientists have been interested in studying differences and similarities between the sexes.  There are many reasons for this.  First, many beliefs about sex differences in traits, talents, and temperaments have had an effect on societies, politics, and economies throughout the world.  Second, current trends have challenged age-old distinctions between the sexes.  For example, in 1987 more than half of American women worked outside the home.  Also, unisex fashions are now popular.  People can even have sex-change operations.  Finally, the women's movement has brought more attention to things like sex discrimination and sexism and has argued for sexual equality.

Sample paraphrase 2:

Scientists have been interested in comparing and contrasting the sexes for at least 25 years.  Three primary reasons explain this.  First, many beliefs about sex differences in traits, talents, and temperaments have had an effect on societies, politics, and economies throughout the world.  Second, established differences between the sexes have been challenged by current trends.  For example, in 1987 more than half of American women worked outside the home.  Also, unisex fashions are now popular.  People can even have sex-change operations.  Finally, the women's movement has led to increased awareness of sex discrimination, sexism, and sexual equality (Masters, Johnson, & Kolodny, 1988, p. 544).

Sample paraphrase 3:

Scientists have been interested in comparing and contrasting males and females for at least 25 years, and three primary reasons explain this interest.  First, as Masters, Johnson, and Kolodny (1988) explain, "various beliefs about sex differences in traits, talents, and temperaments have greatly influenced social, political, and economic systems throughout history" (p. 544).  In addition, established differences between men and women have been challenged by current trends such as women working outside the home, unisex fashions, and sex-change operations.  Finally, the public has been made more aware of sex discrimination through the efforts of the women's movement, which has also fought for sexual equality (Masters, Johnson, & Kolodny, 1988).

Sample paraphrase 4:

Scientists have been interested in comparing and contrasting men and women for nearly three decades, and three primary reasons explain this interest.  First, as Masters, Johnson, and Kolodny (1988) explain, "various beliefs about sex differences in traits, talents, and temperaments have greatly influenced social, political, and economic systems throughout history" (p. 544).  In addition, long held beliefs about gender have been challenged by current trends such as unisex fashions, women in the workforce, and sex-reassignment surgeries.  Finally, the women's movement has brought the issues of sex discrimination and gender inequality into the public spotlight (Masters, Johnson, & Kolodny, 1988).

Which passages do you think are appropriately paraphrased, and which are guilty of plagiarism?

The writer of sample 1 is guilty of plagiarism for two reasons.  First, she doesn't cite the source of her information.  Also, she uses many of the original authors' words and phrases without indicating that she is quoting. 

The writer of sample 2 has done a slightly better job, but this passage is also plagiarized.  The author does provide a citation, but he is still presenting some of the original authors' words as his own.  Just because he cited the source doesn't mean he can use the original authors' word-for-word text without indicating that he is quoting.  To fix this paraphrase, he would need to either put quotation marks around the reproduced text (and cite accordingly, with page numbers), or put the original authors' ideas into his own words.

The writer of sample 3 is on the right track.  She's provided citations in the right places, and she's used an effective combination of quoting and paraphrasing.  She's done a pretty good job of putting the original authors' ideas into her own words.  However, there might be an even better way...

The writer of sample 4 has, in my opinion, done the best job of paraphrasing the original text.  Citations are provided appropriately, the author has used an effective combination of quoting and paraphrasing, the wording differs significantly from the original text while still conveying the same ideas.  Nicely done.

 I hope you found this post helpful.  Happy scribbling!

Tuesday, April 23, 2013

Using Quotations

Today's topic: Quotations

Quotations are a necessary part of most academic writing, but I hear a lot of questions about when and how to use them effectively and appropriately.  Here are a few important points to remember.

1. Use quotes sparingly. 

In general, rely more on paraphrase and summary than direct quotation (see last week's post for tips on paraphrasing).  When you overuse quotations, your narrative voice is repeatedly interrupted, resulting in a choppy feel.  Also, overuse of quotes may give readers the impression that you don't have anything original to say yourself.

Use a direct quote when you feel that you can't adequately express the original author's idea in your own words, or when you just love the way s/he expresses it.  You can quote passages that involve a lot of numbers, if you need to include that level of detail and can't paraphrase or summarize it instead.  You can also use a quotation when you want to convey the personality or tone of the original author.  Try to keep it to a maximum of one or two quotes per page, though.

2. Punctuate correctly. 

In general, punctuation goes INSIDE quotation marks.  Here are some examples (in-text citations are in APA style):

Doe (2012) argues, "blah blah blah blah," and blah blah blah (p. 12).  Putting the comma outside the end quotes is one of the most common errors I see.

The questionnaire begins with the question, "Blah blah blah blah blah?" Note that if the question mark is part of the original quote, it should go inside the quotation marks.  If the question mark is your own, not part of the actual quote, it should go outside the end quotes.  Example: Should the survey require participants to respond with "true" or "false" to the statement, "I read and understood the patient education materials provided to me"?

Note that in 6th edition APA style, the period at the end of a sentence that ends in a quotation should go after the parenthetical citation (except in the case of long, block formatted quotes--see the section on block quotations below).  The order goes like this: Beginning quotation marks, quote, end quotation marks, parenthetical citation, period.  Like this:

Doe (2013) argued, "Blah blah blah blah blah blah blah" (p. 16).


Do not use double punctuation.  Examples:

INCORRECT:  The questionnaire begins with the question, "Blah blah blah blah?".  See that period after the end quotes?  This is incorrect--only end the sentence with ONE punctuation mark.  The only time it is ever correct to use double punctuation is when you combine a question mark with an exclamation point to indicate what APA calls an "exclamatory question," as in "He said what?!"  I can't imagine needing to do this in a scholarly paper, however.

CORRECT:  The questionnaire begins with the question, "Blah blah blah blah?"

INCORRECT:  Doe (2013) argued that "blah blah blah blah blah." (p. 17).  See the double periods?  One before the end quotes and one after the parentheses?  This is never correct.

CORRECT: Doe (2013) argued that "blah blah blah blah blah" (p. 17).

Remember that long quotes should be formatted as block quotations.  Different style manuals have different rules for what constitutes a "long quote."  In 6th edition APA style, it's 40 words or longer.  As I recall, MLA style puts it at 30 words or longer.  Be sure to check the rule for whatever style manual your paper requires.  In general, however, each line of a block formatted quote will be indented about a half inch from the left margin.  Do not use quotation marks in a block quote; the block formatting takes their place.  In APA style, the punctuation at the end of a block quote goes before the parenthetical citation, not after; this is different from short quotes, in which the end punctuation follows the parenthetical citation. 

I tried three times to show you an example of a block quote, but the Outlook email formatting is so crazy that it made it impossible.  It turned each of my efforts into a jumbled mess.  However, you can see examples of block formatted quotes in my "APA Style FAQ" PowerPoint presentation on the Blackboard "Writing Resources" website.  The PowerPoint also provides more detail about block quotes, including what to do if a new paragraph begins in the middle of a block quotation.

For short quotes, be sure to put the reproduced text in quotation marks and cite appropriately, so that it is 100% clear to readers that this is quoted material. 

3. Capitalize correctly. 

Capitalize the first word of a direct quotation IF the quoted text is a complete sentence.  If it isn't a complete sentence, the first word in the quote should be lower case.  The following examples are from the Purdue OWL -
http://owl.english.purdue.edu/owl/resource/577/01/:

Quoted text is a complete sentence: Mr. Johnson, who was working in his field that morning, said, "The alien spaceship appeared right before my own two eyes."

Quoted text is not a complete sentence: Although Mr. Johnson has seen odd happenings on the farm, he stated that the spaceship "certainly takes the cake" when it comes to unexplainable activity.

If you interrupt a direct quotation in the middle and continue it later in the sentence, do not capitalize the first word of the second part of the quote.  Example:

"I didn't see an actual alien being," Mr. Johnson said, "but I sure wish I had."


4. Cite your source.  This is crucial to give credit to the original author, to show readers where to read the original text, and to avoid plagiarism.  Different style guides have different rules for how to cite source material; be sure to read these and follow them exactly. 

For more on quoting, check out the APA Style Blog, the Purdue OWL, the AMA style guide, or any of the other great resources linked to on the Blackboard "Writing Resources" website.  Just click on "Useful Websites."  As always, I will post this email on my Writing Tips blog, where you can also find an archive of my previous tips: 
http://www.writingtipoftheweek.blogspot.com/2013_02_01_archive.html

I hope this post was helpful.  Happy scribbling!

Monday, April 8, 2013

Abstract Fun Facts

Today's topic: Abstract Fun Facts


Don't you love that the title of today's post rhymes?  :)

What is an abstract? What is it for? An abstract summarizes the major elements of an article or presentation. In a published paper, the abstract helps other scholars to determine whether the paper is relevant to their own research. Think about all the literature searches you've done.  How did you determine which articles you needed to read, or which ones met the inclusion criteria for your literature review?  You read the abstracts, of course.  Also, many busy health care professionals and researchers scan abstracts to keep current on the latest research.  The abstract is your first impression, your first chance to convince readers of the importance of your work.

You might write an abstract for a paper, or you might write one for a presentation you hope to give at a conference.  You will almost always write paper abstracts after you finish the paper (to ensure that the abstract is complete and accurate).  However, you'll often write conference proposal abstracts before you finish the presentation or poster.  Here are some essentials to remember when writing an abstract.

An abstract should be:

Brief:  Usually 150-250 words, often written as a single paragraph.

Concise: Focus on the 3-5 most important points in your paper or presentation.  Don’t add to or provide commentary on the content of the manuscript.  The job of the abstract is to simply report what is in the paper/poster.

Accurate and specific: Make sure it accurately communicates the content and purpose of your paper or presentation.  An abstract should not contain any information that isn't part of the paper or presentation.

Clear and readable: Use clear, succinct language and correct grammar and style. It's a good idea to ask someone--a professor or a trusted classmate or colleague--to proofread your abstract for you.  Read your work out loud and you will be more likely to catch your mistakes.
  
More tips:

*Avoid abbreviations, except for obvious ones that everyone knows (such as HIV, DNA, AIDS, etc.).

*Avoid using specialized/technical terms, unless your readers are likely to be familiar with them.

*Avoid referring to elements of the manuscript to which your readers don't have access (tables, charts, figures, etc.).  Remember that many people will just read the abstract, not the full article.  The abstract should make it easy for people who are conducting a literature search (or trying to stay abreast of the latest research) to determine the content of your paper.  For that same reason, the abstract should be able to "stand alone" and still make sense.  To check this, you might ask someone who isn't familiar with your subject to review your abstract.

*Abstracts should focus on the most important results and conclusions in the manuscript or presentation.

*Make sure that any quantitative or qualitative results you include in the abstract match those in the manuscript or presentation.

*APA recommends that you do not repeat the title in the abstract, but always stick to the particular journal's author guidelines.

*Don't cite references in the abstract. 

*Include “key words” that readers will be likely to use in database searches.  This will help readers to find your article, and to determine, from reading the abstract, whether your article is relevant to their research.

*Some journals require "structured abstracts," which follow prescribed headings.  These might include "Aims," "Background," "Methods," "Results," and a range of others.     

*It's a good idea to include information on the implications of your findings--for practice, and/or administration, and/or further research.  What does all this mean?  What does your paper or presentation contribute to the discipline of nursing?   

I hope you've found this week's post helpful. 
Happy scribbling!